Montgomery Thompson, author of The Shielding of Mortimer Townes (Big World Network, 2015)
Wednesday, 20 May 2015
Tuesday, 19 May 2015
What's in a name?
I
consider names to be of primary importance in a story. Just look at Harrison
Ford. What if Han Solo was named Mike Mansfield, or Indiana Jones was actually
Steve Donaldson. No offense to Mike Mansfield or Steve Donaldson but those
names don't really have the kick necessary for an action hero.
In
Mortimer Townes I had a lot of fun
with the names. The setting makes it necessary to tweak things a bit. After all
it all takes place on another planet that is similar to Earth as is the time
period; similar to Earth's 1960's. So the names needed to be similar, but still
unique. In the story there is a boy named Chalo. Some folks may be able to recall
a TV series called Happy Days. Well Happy Days had a character in it called
Chachi. Some may argue that this character was the ultimate spin-off cheese of
that era, and I would have to agree, but it was the archetype that I was going
for in the character of Chalo. He's a bit too sure of himself and maybe a bit
shallow. So I got a Chachi, but he's a bit shallow...see where I'm going with
this?
The
example of Chalo isn't a hard and fast rule. Sometime I just make up a name
from scratch because it sounds funny. One of my favorites is Shanti Shar. My
partner used to have a dog named Shandy. He was a blond wrecking ball. Change
the gender and you get Shanti. Maksey is also the name of my adorable niece and
Spencer is my nephew. Shaley is a name that is kind of like canned lunch meat,
I actually have no idea where it came from. Mortimer's wife Aga is actually the
name of a premium quality, old style cooking stove - go ahead, look it up.
They're really nice. Bosco Sharf is a play on words. My old Bass player used to
call the local cops 'Bosco' from the abbreviation on their cars. So 'Bosco
Sheriff' became Bosco Sherf, though in Mortimer
he's an Army recruiter.
The
more obvious a name is, the more it takes center stage. The annoying military liaison
antagonist is called Pom Debry. I could have called him Drone Strike but I'm
saving that one for when I write a story about past US vice-presidents.
Chugtang is a throwback to the 1960s space program. All of us kids used to chug
Tang. Mim is obviously mom, and Pal Tember is friendly and tall -
'timber!' (Yeah I know. It's not very creative). Seargent Bemis is kind of
gross. It's actually the name of a toilet manufacturer. Halkus Moore is twist
on a description. I wanted a 'hulking man' so I initially switched some letters
around and got Halking Moon. You just don't name a character Moon, unless
you're Frank Zappa of course (no offense Ms Unit). And finally we cone to
Mortimer Townes.
The
best ones are inexplicable. They come from guardian angels I think. I'm one of
these writers who believes that the good stuff is more channelled then created.
I know my brain, and clever though I can sometimes be I am also the one who
leaves my hot cup of coffee in the refrigerator when I'm making breakfast.
'Honey...have you seen my coffee?' The story started with Mortimer. My partner thought
it sounded like a Sherlock Holmes kind of character, and truthfully she was
right. But Mortimer was already cast as a loveable old farmer. Who knows what Mortimer
was up to in his younger days. A detective for Scotland Yard might not be such
a stretch though I’d have to do something about the agency’s name. Kiltie Lawn
perhaps?
Friday, 8 May 2015
Release the Mortimer!
Happy
dance done - check.
Celebratory
slice of chocolate fudge cake eaten - check.
Online
scramble to post release notes to my billions of social media followers -
check.
Okay,
it seems that Mortimer has officially been released!
http://bigworldnetwork.com/site/series/theshieldingofmortimertownes/
The
first handful of episodes have been recorded and are waiting their turn for the
weekly posting on the BWN site which leads me to an idea. Maybe now is a good
time to offer a little insight into the process. What exactly happens behind
the scenes to release a book? Of course, I can only answer that from the
authors perspective. My editors would probably tell the story a bit
differently, but on my side of thing it starts with an email from my editor.
After she has chopped the book into twelve episodes she sends me one episode at
a time. There are two documents; one has all the changes highlighted with the
editor's comments in the margin. The other is called a 'clean' copy. If I like all
of the changes and don't make any more myself then I use the clean copy as a
script. From there I sit down in my little studio and record the voice tracks.
It
took a while to develop my technique for the voice tracks, and by technique don’t mean my questionable narrative
talent. I'm referring to the sound engineering part. I have separate tracks for
the intro music, intro voice and episode number. You may notice that the
introduction voice sounds a bit different than the normal reading voice (the narrative).
That's because it has an effect on it called 'doubling'. Then I get to reading.
Sometimes I can only get through a sentence at a time because I choke, my dog
Tufty starts barking out in the yard, a tractor drives by, someone knocks on
the door asking directions or a random question which usually gets interrupted
by, "Hey, are you American?" or whatever. Anyway, the first thing I
do when I get back into the studio is to go back and listen to where the break happened.
Then I delete the bad part at a place where it's easy to pick up again. I jump
to the second track so I don't record over the tail end of the other one and
start again. This goes back and forth until the whole episode is done.
The
last part is the mastering where I add the BWN tag (that's the "You're
listening to Big World Network" snippet) and a cocktail of audio effects
that make the whole thing ready for broadcasting. I'd be happy to share that
list and the settings with you, just send me an email. The very last thing I do
is email the audio file to my editor which takes awhile. It’s a big file and we
don't have superfast broadband here in the Irish countryside. Come to think of
it we don't have superfast anything here unless you count Tufty doing laps
around his little track out in the yard...which reminds me, it's a Formula 1
race weekend in Barcelona. Sweet!
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